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Polaris Music Prize Sets 2026 Dates as Ceremony Returns to Massey Hall

March 12, 2026 in Music

Canada’s most prestigious music prize announces its 2026 season, culminating in a September celebration of artistry and sound.

The journey toward Canada’s most celebrated music honour has officially begun.

The Polaris Music Prize has announced the key dates for its 2026 season, culminating in the Polaris Concert & Award Ceremony at Massey Hall on September 22.

Returning to the iconic Toronto venue for the fourth consecutive year, the one-night-only event will bring together artists from across the country for a genre-spanning showcase celebrating the very best in Canadian music. Performers for the ceremony will be announced in July, while tickets are already available through the Massey Hall box office.

Presented by CBC, the Polaris Music Prize honours the Canadian Album of the Year and Song of the Year based solely on artistic merit. Regardless of genre, label affiliation, or commercial success. This year’s Album Prize winner will receive $30,000 courtesy of the Slaight Family Foundation, while the Song Prize winner will receive $10,000 provided by SOCAN.

The ceremony will also announce two recipients of the Polaris Heritage Prize, which celebrates classic Canadian albums released prior to the launch of the prize in 2006.

The road to the awards begins this summer, with the Album Long List dropping June 11, followed by the Song Long List on June 24. Short lists for both categories will be revealed throughout July, setting the stage for September’s final celebration.

Alongside the awards program, Polaris will once again host its expanding Polaris Festival throughout September. Supported by Ontario Creates, the festival will feature intimate concerts, listening sessions, workshops, and artist conversations spotlighting past nominees and emerging voices across the country.

Polaris also continues to expand initiatives launched in 2025, including its Community Development Program — a growing network of charities, events and organizations collaborating to support Canadian music — and its free submission portal, which has already been used by more than 300 Canadian artists.

For Afros in tha City, the announcement marks the start of a familiar and exciting cultural rhythm.

“As always, the launch of Polaris key dates signals the beginning of an exciting journey for the Canadian music industry,” says Kimberley Dooshima Jev of Afros in tha City. “It’s the moment when we start listening closely again and discovering new voices, new sounds, and the artists shaping Canada’s sonic landscape. Polaris has always been about artistry first, and that spirit of exploration is what makes the season so special.”

To be eligible for the 2026 Polaris Music Prize, albums and songs must have been released between April 1, 2025 and May 1, 2026. Winners will be selected by an independent jury of more than 200 music journalists and critics from across the country.

Past Polaris winners include artists such as Jeremy Dutcher, Debby Friday, Pierre Kwenders, Haviah Mighty and Kaytranada, all artists who have helped define the evolving sound of Canada.

With the 2026 season now officially underway, the search for the country’s most compelling album and song has begun once again.

Tags: Polaris Music Prize
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AITC - October 2026

Featured
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Cool Sweepings brings Caribbean flair to Canadian ice in a new Jamaican-Canadian sports comedy premiering October 30 on Bell Fibe TV1.

Created by Winnipeg filmmaker Chris Sharpe after 18 years of development, the four-part series follows a group of friends who enter a $50,000 curling competition despite knowing nothing about the sport.

Blending humour, music and an underdog spirit, the series celebrates Black Canadian storytelling, friendship and perseverance.

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Beyond the Stage is Afros in tha City's editorial series exploring the world surrounding the performance. Through candid encounters and first-person-informed music journalism, it captures the atmosphere, unexpected exchanges, human details, and cultural significance that conventional reviews can miss. From intimate backstage conversations to the energy of a live audience, the series documents the people behind the music and the moments that shape its legacy.

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AITC October  2026 - The Currency of Time - Kardinal Offishall
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Kardinal Offishall fronts the October issue of Afros in tha City.

In The Currency of Time, Kardi goes beyond the highlight reel to talk about independence, attention, longevity, family, the business of music and what it takes to keep creating after more than three decades in the industry.

“We’re not fighting for their money. We are fighting for attention.”

The October issue is here. 

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Afros Picks: October 2026
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Seven artists, seven distinct sounds. The October 2026 edition of Afros Picks highlights musicians connecting heritage, experimentation and creative independence across generations and borders.

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THE WOUNDS WE CANNOT SEE
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Read the feature in our October issue. Sign up for the Afros in Tha City newsletter to hear when the print issue is released.

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Rapsody Questions the Future of Hip-Hop Journalism as God Gotta Afro & Gold Hoops Challenges the Attention Economy
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Grammy-winning rapper Rapsody is raising questions about the future of hip-hop journalism and the shrinking space for artists whose work demands more than a viral headline.

In a 14-slide Instagram post, the North Carolina artist questioned why meaningful music often struggles to receive serious coverage, even when it connects deeply with listeners.

Her concerns extend beyond artists seeking publicity. Rapsody pointed to declining newsroom resources, fewer music writers, reduced print coverage and fewer opportunities for journalists to spend time exploring albums in depth.

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Inside Asia Clarke’s Braided Future
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Read the feature online now. Sign up for the Afros in Tha City newsletter to be notified when our October print issue is released.

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It sounds like a declaration because it is one. After two decades of building choreography, teaching, mentoring and helping push street dance into spaces that did not always know what to do with it, Landé was not interested in returning to performance to satisfy somebody else’s idea of what a Black woman, a hip-hop artist or a contemporary dancer should look like. She wanted freedom.

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A Century of Faust: Silent Cinema Meets Live Music in Calgary
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The film stars Swedish actor Gösta Ekman in the title role alongside Emil Jannings as Mephistopheles. Through elaborate sets, visual effects and dramatic contrasts between light and shadow, Murnau created a world where the boundaries between good and evil, faith and temptation, become increasingly difficult to separate.

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Cover (1).png
AITC September 2026 - What Will It Take For Us To Feed One Another - Aquakultre

COVER STORY PREVIEW

Through 1783 and Matriarchs, Aquakultre is transforming family memory into a living archive while asking Black Nova Scotian communities to remember how deeply they belong to one another.

By Kimberley Dooshima Jev

Lance Sampson was standing in front of a video kiosk at the Africville Museum when a familiar name appeared on the screen. The woman speaking was his great-great-grandmother. Sampson had stumbled onto what he understands to be the only surviving recording of her voice.

His first instinct was reverence. His second was hip-hop.

“I immediately went into hip-hop mode,” he remembers. “Let me sample this right quick.”

That impulse sits at the centre of Sampson’s work as Aquakultre: find what remains, listen closely, then give it somewhere new to live.

Read the full cover story

Aquakultre covers the September 2026 issue of Afros in tha City. The complete story explores 1783, Matriarchs, the family histories behind the work and the moment Lance Sampson found his voice.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

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How Springboard Is Building Calgary’s Cultural Ecosystem
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Dance, public space, galleries and live performance become part of the same conversation when Springboard Performance asks what a cultural ecosystem can look like.

Through Fluid Fest and its wider programming, artistic director Nicole Mion is building connections between artists, audiences and ideas in Calgary while placing the city within national and international conversations about contemporary performance.

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The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

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In What Sugar and Indigo Remember, Afros in tha City looks at how these artists turn materials and archives into something living, while Roger Mooking’s SoundBites continues the conversation from across the gallery.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

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July 2026 - The Omnibus - Print July 2026 - The Omnibus - Print
Sold Out
July 2026 - The Omnibus - Print
CA$50.00

The Summer Omnibus is our most ambitious issue yet. Bringing together seven months of journalism, photography, and storytelling, this special collector's edition celebrates Black arts, business, fashion, music, and community across Canada and the diaspora.

Featuring exclusive cover stories with Judith Demosthene, Funmi Osatuyi, Adrianne Williams, Nancy Nixon, Ayokunle Akinsebikan, Femi Jr., and more, this 70-page volume captures the people, ideas, and conversations shaping culture today.

Beautifully printed in limited quantities, the Summer Omnibus is designed to be collected, shared, and revisited long after publication.

Limited print copies available.


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