A NEW ERA OF AFROS IN THA CITY  We are thrilled to welcome you to a new era of publishing for Black media at  Afros in tha City . As we embark on this journey, we are committed to defining our futures and documenting our history from our

We are thrilled to welcome you to a new era of publishing for Black media at Afros in tha City. As we embark on this journey, we are committed to defining our futures and documenting our history from our perspective. Our voices are powerful and our stories are vital. Gone are the days of seeking validation from our oppressors, as we stand firm in the understanding that we are the change we wish to see.

Read More

A NEW ERA OF AFROS IN THA CITY

We are thrilled to welcome you to a new era of publishing for Black media at Afros in tha City. As we embark on this journey, we are committed to defining our futures and documenting our history from our own perspective. We believe that our voices are powerful and our stories are vital. Gone are the days of seeking validation from our oppressors, as we stand firm in the understanding that we are the change we wish to see.

Here at Afros in tha City, we are dedicated to embracing this evolution and aligning our actions with our commitment to perpetuating lasting change. Join us as we forge ahead, fearlessly shaping narratives, and amplifying the diverse experiences within our community. Your continued support and engagement are invaluable as we enter this new chapter.

Welcome to a new era of Afros in tha City, where we are unwaveringly dedicated to being the change forever.



QUICK AFRO PICKS - Exciting New Content Coming Your Way!

Get ready for a riveting lineup of new content as we introduce a fresh and immersive experience for our cherished readers. From thought-provoking articles to captivating videos, our new content promises to engage, inform, and entertain in equal measure.

Stay tuned as we roll out this exciting update, and prepare to embark on a journey of discovery with Afros in tha City.


Unruly: Redefining Black Hair Care - Embrace Beauty Without the Pain

Unruly: Redefining Black Hair Care - Embrace Beauty Without the Pain

Embark on a journey where your next hairstyle isn't just a possibility but a painless reality. Since the inception of Unruly in 2013, Co-founders Antonia and Abigail have been rewriting the complex narrative surrounding Black hair care, challenging the antiquated belief that beauty must come at the cost of discomfort.

Gone are the days of enduring headaches and hours spent washing and styling. Unruly dares to defy convention, asserting that the natural beauty and versatility of Black hair should be celebrated, not endured. The Unruly duo stand as a beacon of empowerment, offering guidance and support through every twist and turn of the Afro hair care journey.

What began as a modest blog blossomed into a comprehensive platform offering expert advice, inspiration, and now, essential services and products meticulously crafted to address the struggles we once resigned ourselves to. With each innovation, Abigail and Antonia are not just celebrating our hair; they are reshaping an entire industry, moulding it into a space where Black beauty thrives.

Join Unruly in their mission, guided by the vision of Antonia & Abigail, as they pave the way for a future where caring for Black hair is as effortless as it is exquisite. Learn more at https://un-ruly.com/

"Get Glam Without Leaving Home: Introducing Unruly's Mobile Hair Styling Service!

Are you based in NYC, LA, or the DC area and prefer the convenience of having your braids, weave, or wig install at home? Look no further than Unruly's mobile hair styling service! Our team of expert stylists will bring the salon experience right to your doorstep, ensuring you look and feel your best without ever stepping foot outside.

And here's the best part: from now until April 15th, enjoy $20 off your first appointment. Don't miss out on the opportunity to pamper yourself in the comfort of your own home while saving big. Use the referral link here to receive $20 off your first appointment.



H&M REAWAKENS SPRING 2024 WITH MODERN TAILORING AND REFINED ROMANCE

H&M REAWAKENS SPRING 2024 WITH MODERN TAILORING AND REFINED ROMANCE

For Spring 2024, H&M celebrates the season of rebirth with soft tailoring and an effortless ease. There’s sculptural volume and clean lines of refined suits, sophisticated shirts and shirt dresses. Workwear-inspired pieces give a utilitarian edge, while embroidered details, pleats and textures convey a delicate touch. A minimal colour palette of silver, light blue denim, white and ecru keeps the tone sharp. The collection launched on 21 March and will be available in selected stores worldwide and online at hm.com.

The womenswear collection is a love letter to wardrobe treasures and modern femininity. Timeless suiting that’s both tailored and relaxed includes not only the blazer and trousers, but also waistcoats and hot pants. Blouses, dresses and skirts with romantic volume, pintucks and flounces. Power denim in the guise of 90s shapes and soft, washed-out blues add some toughness. A shiny silver A-line dress brings a final pop of energy.

Key pieces include a white mini-dress with balloon sleeves, ruching and drawstring details, a silver pencil skirt, a light denim shirt with body-skimming seams, and a white voluminous embroidered collarless blouse with wide cuffs. Feminine accessories like slingback kitten heels and pointy ballerinas are set against chunky, bold jewellery in silver tones.

“This season, we were really inspired by the idea of rebirth, like the first flowers blooming. So while there’s a romantic side to the collection, we also wanted to channel a strong, tailored vibe and workwear touches that could breathe life into the fashion wardrobe,”
Eliana Masgalos, Concept Designer at H&M.

For menswear, modern tailoring and utilitarian elements are also key – a chore jacket, overshirts, blousons and pull-on trousers. With the addition of navy and chestnut to the colour palette, the result is minimalistic and easy-going. In kidswear, the first signs of Spring show up in floral prints, voluminous silhouettes, soft suiting and workwear-inspired pieces. Textures, embroidery on twills and satins, and both shiny and matte surfaces create a modern twist on charming classics. 

"The kidswear collection this season has a distinct sweetness – satins, puff sleeves and all-over floral prints – but the tailoring and neutral colour palette gives it a clean edge, too,” Sofia Löfstedt, Head of Kidswear Design and Creative at H&M. 


Unveiling Selma Burke: A Theatrical Odyssey Through Art, Courage, and Justice

Unveiling Selma Burke: A Theatrical Odyssey Through Art, Courage, and Justice

Photo: Trudie Lee

Theatre Calgary, in collaboration with Alberta Theatre Projects, proudly presents the debut of an enthralling new theatrical production centering on the life and legacy of Selma Burke, a remarkable figure whose impact resonates through art, courage, romance, and justice. Crafted by Caroline Russell-King and Maria Crook, this captivating narrative unfolds at the Martha Cohen Theatre in Arts Commons.

Selma Burke's name remains relatively unknown, yet her contributions as a Black American sculptor during the vibrant era of the Harlem Renaissance in the 1920s and 30s are profound. Notably, her bas-relief plaque of President Franklin D. Roosevelt, believed to have inspired the design of the American dime, stands as a testament to her talent and influence, despite enduring a lack of recognition during her lifetime.

"Selma Burke delves into the remarkable journey of Dr. Burke, who persisted in her artistic endeavors despite challenges from a spouse who sought to undermine her, a government that appropriated her work, and the menacing presence of the FBI," says co-playwright Caroline Russell-King.

"Gifted with extraordinary talent, Selma depicted pivotal events of the 20th century through her art: from the struggles of the Harlem Renaissance to the horrors of the Holocaust and the civil rights movement," adds co-playwright Maria Crooks.

Directed by Felicia Turner Sonnenberg, whose dedication to amplifying the voices of female artists echoes throughout her career, the production celebrates Burke's artistic achievements and invites audiences on a journey of imagination and introspection.

"This play is not merely a biography or a lecture; it's a flight of fancy, born from the boundless creativity of our playwrights and brought to life by the collaborative efforts of our talented team," remarks Sonnenberg.

Photo: Trudie Lee

Norma Lewis leads the all-Calgary cast as Selma Burke, accompanied by a stellar ensemble portraying the myriad characters who shaped her life. With a team of visionary designers, choreographers, and directors, Selma Burke promises to captivate audiences with its exploration of artistry, resilience, and the pursuit of justice.

Selma Burke runs from April 2 to 27 at the Martha Cohen Theatre, with the official opening night on Friday, April 5. Performances are scheduled at 7:30pm (Sun-Thurs), 8:00pm (Fri-Sat), and 2:00pm for weekend matinees.

Tickets are available for $39 as part of Theatre Calgary's Theatre For All initiative, reflecting the company's commitment to accessibility and inclusivity.

Selma Burke contains mature themes and is recommended for audiences aged 14 and above.

Founded in 1969, Theatre Calgary stands as Calgary's premier professional theatrical company, dedicated to stimulating, provoking, and delighting audiences through ambitious and diverse programming. Led by Artistic Director Stafford Arima and Executive Director Maya Choldin, Theatre Calgary continues to push boundaries and inspire engagement on local, national, and international stages.


A New Era of Afros in tha City

We are thrilled to welcome you to a new era of publishing for Black media at Afros in tha City. As we embark on this journey, we are committed to defining our futures and documenting our history from our own perspective. We believe that our voices are powerful and our stories are vital. Gone are the days of seeking validation from our oppressors, as we stand firm in the understanding that we are the change we wish to see.

Here at Afros in tha City, we are dedicated to embracing this evolution and aligning our actions with our commitment to perpetuating lasting change. Join us as we forge ahead, fearlessly shaping narratives, and amplifying the diverse experiences within our community. Your continued support and engagement are invaluable as we enter this new chapter.

Welcome to a new era of Afros in tha City, where we are unwaveringly dedicated to being the change forever.


QUICK AFRO PICKS - Exciting New Content Coming Your Way!

Get ready for a riveting lineup of new content as we introduce a fresh and immersive experience for our cherished readers. From thought-provoking articles to captivating videos, our new content promises to engage, inform, and entertain in equal measure.

Stay tuned as we roll out this exciting update, and prepare to embark on a journey of discovery with Afros in tha City.


FEATURE interview with nini udochu

As the embodiment of grace, talent, and resilience, Nini Udochu graces the cover of Afros in tha City's March issue, captivating readers with her undeniable presence and magnetic charm. With a career marked by groundbreaking achievements and a spirit fueled by passion, Nini stands as a beacon of inspiration for aspiring artists and dreamers alike. From her humble beginnings to the pinnacle of success, Nini's journey is a testament to the power of perseverance and the unwavering pursuit of one's dreams.

In an exclusive interview, Nini Udochu invites us into her world, offering a glimpse behind the curtain of stardom and sharing intimate reflections on her life, her art, and the forces that drive her forward. From the joys of creative expression to the challenges she has overcome, Nini's words resonate with authenticity and wisdom, painting a vivid portrait of a woman who refuses to be confined by limitations or expectations. As we delve deeper into her story, we are reminded of the transformative power of self-belief and the boundless potential that lies within each of us.

AITC: What inspired you to merge your passion for technology and fashion, and how has this combination influenced your creative work and content?

I fused technology and fashion because I am an advocate for women in STEM-related fields considering I am an engineer. As an engineer, I love all things fashion. I bring my authentic self and women love to inspire other women in tech. We don’t wear boring clothes, we shine bright in amazing wear.

AITC: As a prominent figure at the intersection of tech and fashion, how do you see these two industries evolving and converging in the future? Are there any cutting-edge technologies that you believe will significantly impact the world of fashion?

With AI being a hot topic, I foresee a fusion of AI in the fashion industry. This was recently seen in Coperni’s Fall 2023 runway.

AITC: Your influence in the tech and fashion spheres has earned you a substantial following. How do you use your platform to promote inclusivity, sustainability, and positive change within these industries?

I use myself as an ambassador as representation matters in the tech industry and fashion world. Working with brands showcasing new clothing lines, and fragrances and collaborating with Getsmart to take business certifications with Yale shows I invest in myself for my career while being a micro influencer.

AITC: In a digital age where social media plays an integral role in fashion and technology, how do you navigate the challenges of maintaining authenticity while also curating a personal brand that resonates with your audience?

I stay true to myself. I create content through my lens to inspire people on my platform and not compare myself to other influencers other. Everyone creates content that speaks to different audiences. I just focus on my work and try to be better each day.

AITC: As the cover girl of this magazine, what message or narrative do you hope to convey to readers about the powerful synergy between technology and fashion, and the impact it can have on our lives?

The motto: beauty and brains at its best lives here and I stand to represent that.


Afros Media Inc.’- UMOJA (UNITY) Bridge Project collaborates with the privately owned Nom de Plume Agency based in New Zealand and Canada to celebrate International Women’s Month by uplifting the underdogs rising in Western Canada and beyond.

Introducing the Nom De Plume Umoja Unity Awards: Celebrating 21 Women Across Canada! Join us in honoring the remarkable women who are reshaping the narrative on women's rights worldwide. Our feature initiative shines a spotlight on 21 inspiring individuals from diverse backgrounds and locations, each leaving a significant impact in their communities and beyond.

As part of our commitment to continuous recognition and advocacy, we are pleased to announce that we will be accepting nominations for next year's feature. If you know of any deserving individuals who are making strides in advancing women's rights, we encourage you to nominate them for consideration.

To stay informed about the 2025 call for nominations and other updates, we invite readers to sign up for the Afros in tha City newsletter. By subscribing, you'll receive timely notifications and opportunities to participate in our ongoing initiatives to celebrate and amplify the voices of change-makers. Together, let's continue championing the cause of women's rights and creating a brighter future for all. - Dooshima Jev - Global Head + Master Editor in Chief

To learn about this year’s recipients please visit Don’t Stop Rolling Magazine

A New Era of Afros in tha City

We are thrilled to welcome you to a new era of publishing for Black media at Afros in tha City. As we embark on this journey, we are committed to defining our futures and documenting our history from our own perspective. We believe that our voices are powerful and our stories are vital. Gone are the days of seeking validation from our oppressors, as we stand firm in the understanding that we are the change we wish to see.

Here at Afros in tha City, we are dedicated to embracing this evolution and aligning our actions with our commitment to perpetuating lasting change. Join us as we forge ahead, fearlessly shaping narratives, and amplifying the diverse experiences within our community. Your continued support and engagement are invaluable as we enter this new chapter.

Welcome to a new era of Afros in tha City, where we are unwaveringly dedicated to being the change forever.

The Rise of Kambili Ofili

A: Your journey as a director and actor in this film must have been quite transformative. What personal experiences or inspirations led you to tell this particular story?

Adulting, growing up, having children, lifeing with friends. Afros in tha City seems to delve into topics that resonate deeply with women's experiences.

A: Can you share how these themes emerged in the filmmaking process?

The whole process from writing (written by me, a woman) a script delving into experiences that I understood, to having women head of departments - the producer, line producer, head of costume, makeup & VFX, even majority of our backers were women to our main characters. It was a collaborative process so all the above mentioned, in different ways shaped the way the story was told.

A: The pressures of societal expectations can sometimes feel overwhelming. In what ways does your character navigate these pressures, and what message do you hope viewers take away from her journey?

I think viewers see the very real point we all get to where the choices we have, become very apparent and more so their consequences - to play to crowd and suffocate your soul depriving it of your truest desire or to potentially sacrifice/ abandon societal acceptance for internal alignment. I hope viewers feel seen in this way and validated that at least this, no matter how different the situations might be, this fork in the road comes for us all.

Relationships, both romantic and platonic, play a significant role in many women's lives. How does your film explore the dynamics of these relationships, and what insights do you hope it offers?

Shaping Us is about these beautiful, profound dynamics we share with the people we experience life with. Literally all takes place with this small group of close friends intentionally stuck together for a night for dinner and the unraveling that sometimes occur in close company

Self-discovery and empowerment are central themes in many narratives about women's experiences. Can you speak to how your character's journey embodies these themes?

The lead women have desires that are real to them so much so that they are in direct conflict with what society might expect from them. Ara wants a child at any cost, Zee wants her peace of mind that was lost with the birth of her children and Maks wants to flourish and thrive with or without a man in this chapter of her life and in the small space of time of one evening at dinner together, we watch them get to forks in the road to choose self or external ideas of self.

Mental health is often stigmatized but crucial for overall well-being. Does your film address the mental health challenges that women face, and if so, how?

It addresses postpartum depression which is one that creeps up quietly into a lot more dynamics post birth than is accounted for. I think a lot of couples who have had children will relate to parts of this silent mental shifter and recognize the very real complexities and changes it manifests for women

Representation in the media can be a powerful tool for social change. How does the film speak to the diaspora contributing to a broader conversation about women's issues and empowerment?

I think it speaks organically not trying to impose an idea, it gives a glimpse of real people’s lives, things anyone can go through no matter their societal classification . I think that’s the gift. To remember everyone’s humanity is real, valid and relevant. And for the diaspora to remember the different and wide variety of biased gazes should not have power of anyone’s ability to experience all facets of their life without playing to any crowd.

As a multifaceted creator, what do you hope audiences will take away from your film, both in terms of entertainment value and deeper reflections on the complexities of womanhood?

I want people to feel seen, that life is a beautiful struggle full of nuanced complexities that can be opportunities for growth, and depths to one’s character. I want them to feel their love and appreciation of that love for their tribe of friends that have become family, spouses and children.

In today's digital age, social media platforms play a significant role in shaping how young women perceive themselves and interact with the world.

What advice would you offer to younger women navigating social media spaces, particularly concerning safety, self-esteem, and maintaining authenticity in an online environment?

I’d say it helps to be uncompromising about curating the content on your feed. Be self aware of the feelings that come when you see content. When you feel any negativity from sadness, to envy to anything really mute, unfollow or block the account as appropriate. Even when it’s mild. And fill your feed with content that uplifts you, inspires your inner why to surface and thrive and brings you joy. It also helps to have a circle of people you trust and know well that you share with to hold you accountable when your own instincts get blurry.


QUICK AFRO PICKS - Exciting New Content Coming Your Way!

Get ready for a riveting lineup of new content as we introduce a fresh and immersive experience for our cherished readers. From thought-provoking articles to captivating videos, our new content promises to engage, inform, and entertain in equal measure.

Stay tuned as we roll out this exciting update, and prepare to embark on a journey of discovery with Afros in tha City.


Master T Returns to Calgary to “Pass the Mic” on February 27 for Black History Month

In honour of Black History Month, National Music Centre and former MuchMusic VJ Master T will host a special event reflecting on Black Canadian music as the mic is passed from one generation to the next on stage. From the '60s to the present day, explore the extraordinary legacy that has shaped generations in Canada. With special guest appearances by three-time Juno-Award winner, the empress of soul Liberty Silver; Juno-nominated Afro-R&B superstar Nonso Amadi; and Calgary's poet laureate Wakefield Brewster.


Block Heater 2024: Calgary’s Melodic Odyssey Unfolds with Senegal’s Cheikh Ibra Fam with his modern hip-hop, Afrobeat and dub sounds and more

In the quiet embrace of winter’s cold, where each breath crystallizes in the air, a symphony emerges waiting to pierce through the frozen stillness.

Enter Block Heater 9.0, fueled by the rhythmic currents of ATB, promising a melodic odyssey in the heart of Calgary from February 15 to 17, 2024. This chapter of the festival unfolds like a well-composed novel, introducing two protagonists set to weave a narrative through sound and rhythm: Senegal’s Cheikh Ibra Fam and the lyrical maestro, Odario.

The festival also promises to deliver trailblazers such as Dominique Fils-Aimes, KTheChosen, Tanika Charles and many more

Let’s embark on this musical journey, where each note is a page turned, and every beat is a sentence written.

Close your eyes and step into the enchanting scene at Olympic Plaza on February 17 – a rendezvous with Cheikh Ibra Fam, once the guiding voice of Baobab’s orchestra. From the vibrant soul of Senegal, he brings forth the pulsating beats of modern hip-hop, the rhythmic cadence of Afrobeat, and the echoes of dub that resonate with the heartbeat of a continent. This is not just a performance; it’s a jubilant celebration, marking the festival’s 20th anniversary. Prepare to be whisked away to a realm where each note is a storyteller, and the air is filled with the cultural essence of Senegal.

But the auditory adventure doesn’t conclude there. Enter Odario, a wordsmith in the world of hip-hop, crafting lyrical architectures that meld socio-political narratives into the very fabric of the beats. His presence on stage is more than a mere musical act; it’s a magnetic force pulling you into stories that provoke thought, laughter, and rhythmic movement. The stage is now a canvas, awaiting the strokes of a performance that transcends the ordinary, inviting you into a symphony where words and rhythms dance in unison.

Beyond the focal acts, Block Heater 9.0 extends an invitation to a diverse ensemble of 27 artists, each bringing their unique melodies and tales from different corners of the globe. From the ethereal melodies of Jolene Marie to the foot-stomping Americana tales of The Devil Makes Three, the festival promises a musical journey as varied as the chapters of a novel.

As Block Heater radiates warmth through Calgary’s core, consider this not merely a festival but a canvas where you create your adventure. Hop between venues, let the diverse sounds paint your emotions, and dance under the winter stars as if no one is watching. Block Heater 2024 beckons – not just a weekend of music but a novel of discovery, joy, and dancing.

For the unfolding tale of schedules and tickets, explore Calgary Folk Fest’s official website. For a chance to win tickets to a variety of shows please visit our CONTESTS page.


From Pop Star to Oscar Nominee: Bobi Wine's Story Makes History at the Academy Awards

The currently vibrant and electrifying rhythms of African music have produced legends like Fela Kuti, King Sunny Ade, Ladysmith Black Mombazo, Angelique Kidjo, Burna Boy, and Bobi Wine amongst others. But a lot like Fela, Wine's impact transcends catchy tunes, venturing into the realm of socio-political activism, earning him not only the title "The People's President" but also a historic nomination at the 2024 Academy Awards. The nomination is the first Oscar nomination for Uganda.

Robert Kyagulanyi Ssentamu, or Bobi Wine as he's fondly known, is a Ugandan singer, politician, and actor. A former Member of Parliament and 2021 presidential candidate, he leads the National Unity Platform, Uganda's opposition party. His unwavering fight for freedom and democracy recently took center stage with his documentary, "Bobi Wine: The People's President," securing a groundbreaking nomination for Best Documentary Feature at the Oscars.

This momentous occasion, however, was marked by an unsettling reality. As news of the nomination spread, Wine found himself in hiding, evading police after calling for protests against Uganda's poor road conditions. This wasn't a new chapter in his story; the documentary meticulously documents his relentless persecution, including arrests, detentions, and harassment for his opposition to the long-standing Yoweri Museveni government.

Since 1986, Museveni's regime has held elections, but their legitimacy remains under constant scrutiny. Wine's fight for fair elections and better living conditions for Ugandans directly challenges Museveni's hold on power. The documentary, now nominated for an Oscar, serves as a powerful exposé, showcasing the state's tactics of employing police and military brutality against peaceful protesters.

Despite the immense challenges, Wine's spirit remains unyielding. More than just a musician who electrifies audiences, he is a beacon of hope for many Ugandans. He embodies strength, resilience, and an unwavering commitment to justice. His personal sacrifices are stark: sending his children to America for safety and enduring the constant threat to his own and his loved ones' well-being.

Yet, Wine's voice never falters. He continues to inspire through his music and activism, finding solace in his role as "The People's President," a title bestowed upon him by the Ugandan people themselves.

Here’s a link to watch the Documentary:

Bobi Wine: The People's President (Full Episode) | Nat Geo Documentary

Peter Jev


“Some days, I just want to sing the blues.”

Some days, I just want to sing the blues. Not just because powerhouse blues singers Shemekia Copeland and Dawn Tyler Watson are coming to perform here in the Jack Singer Concert Hall at Arts Commons on February 9. Well, because of them, but they make me want to sing the happy blues. Right now, they are the remedy to my current malaise. 

What malaise you say? Well, as I encounter another Black History Month, I feel like we've gone backwards in terms of most R&B, pop, hip hop etc. And here it comes, nostalgia for the ‘90s and early aughts. I remember when Lauren Hill and India Arie felt free to loc their hair while Ciara whipped her blond back and forth. Black women could be any and everything. But now, it seems like the focus is narrowing. It feels like, whenever I start to admire some exciting new talent with a fresh unforced look, something happens. My new faves transform, like a bad magician trick, into the same Beyonce-Riri-Cardi-Minaj-Meg barely dressed Glamazons, spitting very similar explicit lyrics. And yeah, I know, Beyoncé has her deep moments. Yet it feels like the look and vibe and power have turned even her dreadlocked proteges into leather-corseted "boss bitches." Which can get a little one-note after a while. 

They call it empowerment, but I am not so sure. And it's not just the wardrobe. It's the meaning. The blues remind us of what we've overcome as Black people. Music right now seems to be focused on what we can get. 

Copeland and Watson, pioneering blues artists, give zero hoots about the faux empowerment fame cycle. Instead, the artists have the enduring, resilient stories of Africans in America imprinted on their voices, rhythms and songs. Both are powerhouse, award-winning performers who proudly carry the torch of the blues musical tradition - to which country music, rock n roll, R&B, soul music and even hip hop owe a debt. 

Winner of a wildly large number of awards (over 70), Shemekia Copeland has a quiet, contemplative energy that complements her dynamic onstage persona and vocal immensity. In joyously defiant songs like "Will You Take My Blood?" the blues virtuoso challenges racial prejudice - in the honest, raw and direct way that only the blues can. She has been nominated for several Grammy awards, including a nod for an album that powerfully addresses school shootings. 

The depth of her songs is reflective of the multi-award winner's introspection, thoughtfulness and passion for change. That thoughtfulness took on a whole new dimension when she became a mom. "I wanted to, in some small way, make the world a better place. Reminding people we are all the same. That might sound silly, very 'Mother Theresa'", she jokes self-effacingly, "but that's why I did 'Will You Take My Blood?'" 

Along the same impassioned lines, Juno Award winner Dawn Tyler Watson takes us on journeys of love and life, loss and gratitude with her work. The hits on her Juno Award-winning album "Mad Love" can be at once brooding and playful, mournful and galvanizing. Like Copeland, 1 Watson has an electric stage presence. It's one that transcends the rottenness in music right now. Her emotional commitment plays out in front of your very eyes. No high-tech special effects are needed. 

Copeland and Watson redefine Diva-hood as it's played out in the hip-hop-infused music realm of say, R&B or pop. Don't get it twisted, it's not that both these singers want glamour and overall fabulousness. They both manage to exude beauty and dynamism while holding a space for the roots of the blues - the "field hollers" on plantations, the gospel songs in the black church, and the chain gang songs of black men disproportionately imprisoned under Jim Crow. But rather than being mere traditionalists, both ladies have managed to innovate within the form. It's as if they hold the past, present and future in their powerful, resonant lungs. 

Their work takes the form of a calling, rather than a career. Watson was born in Britain and raised in London, Ontario - as about as far away from the Mississippi Delta as a person can get. While musical, her childhood was spent within the sedate strains of a Catholic church choir. As a teenager, Watson found herself on a tumultuous path. "I partied a lot. A lot. Dangerously a lot. It was a friend who saw the path I was on and got me to join her in Montreal and audition for the Concordia Music Program." 

After she graduated, the singer experimented with various genres of rock, pop and soul. Destiny set in during one fateful concert performance when her rendition of a blues song took the audience by storm. Their response was like nothing she'd ever seen before. She'd found her groove. The blues, Watson claims, "chose me". 

Speaking of being born with it, it might seem that blues music was engraved upon Shemekiya Copeland's soul. She is the daughter of blues legend Johnny Copeland. Like Watson, however, her embrace of the genre was not inevitable or even expected. Shemekia was asked to sing onstage at the tender age of ten at, of all places, the legendary Cotton Club in Harlem, where she grew up. The Club's mythos didn't phase her. 

"I didn't like it. Why am I here with all these old people is what I thought." The singer laughs at the term "old". "In reality, they were all ten years younger than I am now. But I was ten." As Copeland grew into her own, her stirring vocals could have landed her in the hype and hoopla of mainstream soul/R&B/pop/rock. But by the time Shemekia was in her twenties, she knew she wasn't about to conform. 

The singer states,

"It takes all kinds of music to make the world go round. But I don't have a need to perform like anyone else but me. My mom always told me, 'Know who you are. Stand in your truth.' For me, I feel wonderful. I feel so good, knowing my value, knowing my worth. And moving forward from there. There's a difference between popularity and legendary." -Shemekiya Copeland

Ain’t that the truth. 

With the sound of a million mics dropping, I hope this Black History Month finds everyone focusing on the legendary, the enduring, and their own true worth. 

Feel free to get dressed.

Melanee Murray-Hunt

I Have a Song with Jann Arden?

Vivek Shraya proudly announced the release of a music video for the captivating new version of "I Miss My Friends" originally from her latest visual album, Baby, You’re Projecting. This rendition features the legendary Jann Arden, marking another milestone in Shraya's series of major collaborations, including with Jully Black and Donovan Woods, as well as the release of How To Fail As A Popstar, her new CBC Gem original series that premiered in October.

Speaking of the experience, Arden says, “It was an absolute adventure recording with Vivek!! It’s such a great song with such a universal message of friendship and connection. I think we sound great together!”

"I HAVE A SONG WITH JANN ARDEN!?! Life is strange and awesome!" Vivek Shraya

 Acknowledging Arden's influence on her artistic journey, Shraya says, “I feel like on some level, this song was inspired by Jann Arden’s “Ode to a Friend.” As a fellow Albertan, I owe so much to Jann and the path she has paved for artists like me, and I was obsessed with her album “Happy” (which recently celebrated its 25th anniversary!) which features this song. I remember thinking at the time that it was so special because there were so few pop songs that centre on friendship. Friendship is where I am most vulnerable and needy, so I have listened the shit out of that song and it feels extra special to have this full circle moment with Jann singing on this track.”

Folly Group Coming Through With The Energy

This Friday, January 12 marks the arrival of UK experimental post-punk darlings Folly Group's highly anticipated debut album, Down There!, to be released via So Young Records.  

Fresh off the heels of an acclaimed 2021 debut EP Awake And Hungry and last year's Human And Kind (which received a perfect 5-star review from DORK, and a glowing 4-stars from DIY), Folly Group's long-awaited debut was introduced last year with three singles — "Strange Neighbour," "Big Ground," and "I'll Do What I Can." With an approving nod to their relentless avoidance of genre convention and stunning union of electronic and post-punk elements, each single was met with praise from outlets such as NME, DIY, DORK, The Line Of Best Fit, God Is In The TV, Beats Per Minute, Upset, and more.

Today, the band further celebrates their forthcoming record's arrival with one last single, "Pressure Pad." Their newest cut, which lyrically discusses the all-consuming power of unconditional love, sees the band combining angular guitar lines with frenetic drumming, and synths reminiscent of 8-bit video games, before the track takes one of the album’s frequent unexpected diversions: this time into a trumpet section. It additionally comes alongside an explosive accompanying music video.

As vocalist/drummer Sean Harper wrote of the track: 

"Musically, 'Pressure Pad' is a testament to how far we’ve come as collaborators. Every different kind of remote or in-the-room collaboration we’ve ever found fruitful was involved in creating this Frankenstein’s Monster of a single. Its final version arrived after months of exchanging files, ideas and needless spanners in the works. This is probably the 6th or 7th iteration of this song, and its final form was ultimately dictated by a deadline - we’d probably never have been able to call it finished otherwise. Every room in which this album was made has birthed one or more elements of 'Pressure Pad:' Louis’s flat, Tom’s flat, our rehearsal space, the studio where we recorded the bulk of the record.

Lyrically, it touches on someone else being a massive part of your self, but loving it. It’s about totally going with the flow of a relationship, becoming someone you never otherwise would have been, but not over-analysing that, rather being grateful for it."

Drawing from post-punk, dub, trip-hop, dance music and traditional Afro-Cuban rhythms, Folly Group have established themselves amongst UK experimental rock’s new leading lights. Following their acclaimed EPs Awake And Hungry (2021) and Human And Kind (2022), the London quartet’s debut album Down There! will be released January 12th, 2024 on So Young Records. Marrying open-hearted lyricism with furiously inventive self-production, this bracing, complex record lends a genuinely original voice to a familiar theme: alienation in modern Britain. 

Collaboratively self-produced by the full band, Down There! is thorough in its exploration of being a young adult in this country: covering mental health ("Bright Night"), physical health ("Freeze"), financial pressures (‘East Flat Crows’) turbulent friendships ("I’ll Do What I Can") and more. Its lyrics are split between lead-vocalists Harper and Milburn, who – despite their respectively more abstract and literal styles – deal with shared themes of “disenfranchisement, dejection, anxiety and financial ruin,” Harper explains. “For every personal step forward, an off-the-cuff decision by a politician we’ll never meet puts us two steps back – a lot of the time we’re basically furious.” 

The band tie many of these feelings to the realities of being a young musician, which they have to balance with full-time jobs. “We don’t have enough time to do this band, but we do it anyway. We make enormous sacrifices in areas of our lives, out of blind faith that we’re right to be doing this.” This underscores the feeling that Down There! is – despite its themes – a triumphant album. Its committed, meticulous creation and honest lyricism speak to the group’s shared self-belief and determination, against the odds this album details. “The mere fact that it exists is a victory.”

“I want somebody to be walking to school listening to it,” adds Milburn. “They’ve got to nip across the park, and it’s full of mist because it’s four degrees and the second week of January.”

“I’d like it if people felt they were hearing a band that wasn’t resting on its laurels,” claims Harper.

“I’d like ‘surprise,’” adds Doherty. “I’d like it if there’s just one or two moments on this album where someone who doesn’t know much about us goes ‘Oh. Fuck me. That’s a bit special.’”

FOLLY GROUP LINKS
Instagram | FacebookTikTok | Threads | YouTube | Bandcamp