Cool Sweepings brings Caribbean flair to Canadian ice in a new Jamaican-Canadian sports comedy premiering October 30 on Bell Fibe TV1.
Created by Winnipeg filmmaker Chris Sharpe after 18 years of development, the four-part series follows a group of friends who enter a $50,000 curling competition despite knowing nothing about the sport.
Blending humour, music and an underdog spirit, the series celebrates Black Canadian storytelling, friendship and perseverance.
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Photo Credit: Emilio Herce
Beyond the Stage is Afros in tha City's editorial series exploring the world surrounding the performance. Through candid encounters and first-person-informed music journalism, it captures the atmosphere, unexpected exchanges, human details, and cultural significance that conventional reviews can miss. From intimate backstage conversations to the energy of a live audience, the series documents the people behind the music and the moments that shape its legacy.
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In The Currency of Time, Kardi goes beyond the highlight reel to talk about independence, attention, longevity, family, the business of music and what it takes to keep creating after more than three decades in the industry.
Kardinal Offishall fronts the October issue of Afros in tha City.
In The Currency of Time, Kardi goes beyond the highlight reel to talk about independence, attention, longevity, family, the business of music and what it takes to keep creating after more than three decades in the industry.
“We’re not fighting for their money. We are fighting for attention.”
The October issue is here.
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Seven artists, seven distinct sounds. The October 2026 edition of Afros Picks highlights musicians connecting heritage, experimentation and creative independence across generations and borders.
Read MoreWhat lies beneath the way we react? Calgary counsellor Ekene Balogun explores how past experiences shape our behaviour, relationships and sense of safety. The author of Internal Bleed speaks with Afros in Tha City about compassion, healing and creating space for culturally sensitive support.
Read the feature in our October issue. Sign up for the Afros in Tha City newsletter to hear when the print issue is released.
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Photo Credit: Fellipe Ditadi
An unexpected encounter with spiritual teacher Alana Fairchild opens a conversation about sobriety, music and finding joy through change. Kimberley Dooshima Jev reflects on her longtime connection to Fairchild’s oracle cards and explores the ideas behind her upcoming sober Halloween ritual rave in Calgary.
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Grammy-winning rapper Rapsody is raising questions about the future of hip-hop journalism and the shrinking space for artists whose work demands more than a viral headline.
In a 14-slide Instagram post, the North Carolina artist questioned why meaningful music often struggles to receive serious coverage, even when it connects deeply with listeners.
Her concerns extend beyond artists seeking publicity. Rapsody pointed to declining newsroom resources, fewer music writers, reduced print coverage and fewer opportunities for journalists to spend time exploring albums in depth.
Read MoreStep inside Asia Clarke’s braided future, where Black hair, community care and science fiction meet. Inspired by African symbols and the bold styling of The Fifth Element, the multidisciplinary designer imagines a world where hair braiders shape new technologies through BRAID2BRAIN and Ama’s Salon.
Read the feature online now. Sign up for the Afros in Tha City newsletter to be notified when our October print issue is released.
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Photo Credit: Murielle-Truly-Bien-Aime
The Montreal artists bring Mōnad to Calgary’s Fluid Fest with a work rooted in hip-hop, grief, spirit, community and the freedom to show up whole. Alexandra “Spicey” Landé had one condition for returning to the stage.
“If I’m going on stage, I’m doing whatever the hell I want.”
It sounds like a declaration because it is one. After two decades of building choreography, teaching, mentoring and helping push street dance into spaces that did not always know what to do with it, Landé was not interested in returning to performance to satisfy somebody else’s idea of what a Black woman, a hip-hop artist or a contemporary dancer should look like. She wanted freedom.
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Released in 1926, Faust is among the defining works of German Expressionist cinema. Directed by F. W. Murnau, the film draws on centuries of European folklore and literature to tell the story of a man who makes a bargain with the devil in exchange for knowledge, power and youth.
The film stars Swedish actor Gösta Ekman in the title role alongside Emil Jannings as Mephistopheles. Through elaborate sets, visual effects and dramatic contrasts between light and shadow, Murnau created a world where the boundaries between good and evil, faith and temptation, become increasingly difficult to separate.
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