• EXPLORE AITC
  • SHOP
  • About Us
  • Masthead
  • Work
  • Contact Us
  • Standards
    • Our Philosophy
    • Diversity & Representaion
    • Editorial Standards
    • Editorial & AI Standards
    • Ethics & Corrections
    • Partnerships & Sponsorships
  • Privacy Policy
  • Terms & Conditions
  • Menu

Afros in tha City

Stories Shaping Culture
  • EXPLORE AITC
  • SHOP
  • About Us
  • Masthead
  • Work
  • Contact Us
  • Standards
    • Our Philosophy
    • Diversity & Representaion
    • Editorial Standards
    • Editorial & AI Standards
    • Ethics & Corrections
    • Partnerships & Sponsorships
  • Privacy Policy
  • Terms & Conditions

Tems by Campbell Addy

In Her Kingdom: Tems’ COLORS Performance Is a Quiet Act of Power

February 01, 2026 in Art

Tems doesn’t perform music…she reveals it. On COLORS, stripped of spectacle and excess, she delivers a quiet yet devastating rendition of “What You Need,” a performance that feels less like a stage moment and more like a confession whispered into the world.

Bathed in COLORS’ signature minimalism, Tems’ voice carries the full weight of longing, imbalance, and emotional truth. No distractions. No armour. Just her, confronting what it means to give love when it isn’t always returned in equal measure. It’s tender, raw, and unavoidably human.

The performance arrives alongside Love Is A Kingdom, Tems’ latest EP, out now via RCA Records/Since ’93. Entirely written, produced, and composed almost fully by Tems herself, the seven-track project reads like a spiritual journal—one that wrestles with love, power, faith, and self-clarity. It’s the sound of an artist choosing herself without apology.

Across tracks like “First,” “I’m Not Sure,” “Big Daddy,” and “Lagos Love,” Tems traces a journey through vulnerability and renewal, confidence and surrender. Love Is A Kingdom doesn’t rush to resolve its questions; instead, it sits with them, breathing deeply through soul, R&B, and Afropop textures that feel both expansive and intimate.

Critics have felt it too. Pitchfork calls the project “a balm,” Rolling Stone describes it as a long-held exhale, and OkayAfrica reminds us why these songs matter right now…because the world needs softness that doesn’t shy away from truth.

With her COLORS performance of “What You Need,” Tems once again proves why her voice resonates far beyond charts and accolades. It’s not just about the music. It’s about presence, intention, and the courage to love loudly, even when it costs something.

This is Tems, standing firmly in her kingdom. Vvulnerable, powerful, and completely her own. - IJ

Tags: Tems
Prev / Next
No results found




Stories
  • October 2026
  • September 2026
  • August 2026
  • July 2026
  • June 2026
  • May 2026
  • April 2026
  • March 2026
  • February 2026
  • January 2026
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • March 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • November 2020
  • October 2020

AITC - October 2026

Featured
Cover.png
AITC October 2026 - The Currency of Time - Kardinal Offishall
Read more →
Rapsody Questions the Future of Hip-Hop Journalism as God Gotta Afro & Gold Hoops Challenges the Attention Economy
Entertainment, Hip-Hop, Music
Rapsody Questions the Future of Hip-Hop Journalism as God Gotta Afro & Gold Hoops Challenges the Attention Economy
Entertainment, Hip-Hop, Music

Grammy-winning rapper Rapsody is raising questions about the future of hip-hop journalism and the shrinking space for artists whose work demands more than a viral headline.

In a 14-slide Instagram post, the North Carolina artist questioned why meaningful music often struggles to receive serious coverage, even when it connects deeply with listeners.

Her concerns extend beyond artists seeking publicity. Rapsody pointed to declining newsroom resources, fewer music writers, reduced print coverage and fewer opportunities for journalists to spend time exploring albums in depth.

Read more →
Entertainment, Hip-Hop, Music
Inside Asia Clarke’s Braided Future
Inside Asia Clarke’s Braided Future

Step inside Asia Clarke’s braided future, where Black hair, community care and science fiction meet. Inspired by African symbols and the bold styling of The Fifth Element, the multidisciplinary designer imagines a world where hair braiders shape new technologies through BRAID2BRAIN and Ama’s Salon.

Read the feature online now. Sign up for the Afros in Tha City newsletter to be notified when our October print issue is released.

Read more →
Freedom Is the Work: Spicey Landé and Jai Nitai Lotus Find A Way Through Mōnad
Dance, Hip-Hop
Freedom Is the Work: Spicey Landé and Jai Nitai Lotus Find A Way Through Mōnad
Dance, Hip-Hop

The Montreal artists bring Mōnad to Calgary’s Fluid Fest with a work rooted in hip-hop, grief, spirit, community and the freedom to show up whole. Alexandra “Spicey” Landé had one condition for returning to the stage.

“If I’m going on stage, I’m doing whatever the hell I want.”

It sounds like a declaration because it is one. After two decades of building choreography, teaching, mentoring and helping push street dance into spaces that did not always know what to do with it, Landé was not interested in returning to performance to satisfy somebody else’s idea of what a Black woman, a hip-hop artist or a contemporary dancer should look like. She wanted freedom.

Read more →
Dance, Hip-Hop
A Century of Faust: Silent Cinema Meets Live Music in Calgary
Film
A Century of Faust: Silent Cinema Meets Live Music in Calgary
Film

Released in 1926, Faust is among the defining works of German Expressionist cinema. Directed by F. W. Murnau, the film draws on centuries of European folklore and literature to tell the story of a man who makes a bargain with the devil in exchange for knowledge, power and youth.

The film stars Swedish actor Gösta Ekman in the title role alongside Emil Jannings as Mephistopheles. Through elaborate sets, visual effects and dramatic contrasts between light and shadow, Murnau created a world where the boundaries between good and evil, faith and temptation, become increasingly difficult to separate.

Read more →
Film
Movie Stars Linda Ejiofor-Suleiman & Ibrahim Suleiman are headed to Calgary!
Podcast
Movie Stars Linda Ejiofor-Suleiman & Ibrahim Suleiman are headed to Calgary!
Podcast

Calgary-based producers Ejiro Onobrakpor and Nenritji Suwa are bringing the acclaimed Due Parenting Podcast Live to the stage.

Read more →
Podcast
Beyoncé Is Coming to the Symphony. Do You Understand What Is Happening Here?
Music
Beyoncé Is Coming to the Symphony. Do You Understand What Is Happening Here?
Music

Composer and conductor Steve Hackman brings Beethoven X Beyoncé to Calgary, weaving Beyoncé’s music through Beethoven’s Seventh Symphony.

Kimberley Dooshima Jev talks with Hackman about “Halo,” Beyoncé’s musical intelligence, classical music’s boundaries and what happens when two musical worlds are allowed to meet.

Read more →
Music
Cover (1).png
AITC September 2026 - What Will It Take For Us To Feed One Another - Aquakultre

COVER STORY PREVIEW

Through 1783 and Matriarchs, Aquakultre is transforming family memory into a living archive while asking Black Nova Scotian communities to remember how deeply they belong to one another.

By Kimberley Dooshima Jev

Lance Sampson was standing in front of a video kiosk at the Africville Museum when a familiar name appeared on the screen. The woman speaking was his great-great-grandmother. Sampson had stumbled onto what he understands to be the only surviving recording of her voice.

His first instinct was reverence. His second was hip-hop.

“I immediately went into hip-hop mode,” he remembers. “Let me sample this right quick.”

That impulse sits at the centre of Sampson’s work as Aquakultre: find what remains, listen closely, then give it somewhere new to live.

Read the full cover story

Aquakultre covers the September 2026 issue of Afros in tha City. The complete story explores 1783, Matriarchs, the family histories behind the work and the moment Lance Sampson found his voice.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

Read more →
How Springboard Is Building Calgary’s Cultural Ecosystem
Art, Contemporary Dance
How Springboard Is Building Calgary’s Cultural Ecosystem
Art, Contemporary Dance

Dance, public space, galleries and live performance become part of the same conversation when Springboard Performance asks what a cultural ecosystem can look like.

Through Fluid Fest and its wider programming, artistic director Nicole Mion is building connections between artists, audiences and ideas in Calgary while placing the city within national and international conversations about contemporary performance.

In How Springboard Is Building Calgary’s Cultural Ecosystem, Afros in tha City looks at the systems behind the art, the importance of circulation and the artists using movement, theatre, music and visual art to create new ways into performance.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

Read more →
Art, Contemporary Dance
What Sugar and Indigo Remember
What Sugar and Indigo Remember

Sugar, indigo, family photographs and the Atlantic carry histories that are easy to overlook until someone asks us to look again.

At Dalhousie Art Gallery, curator francesca ekwuyasi brings together Stina Baudin, Adama Delphine Fawundu, Bushra Junaid and Christina Leslie for Burnt Sugar Blue, an exhibition examining colonialism, Black diasporic memory, family, spirituality and the histories embedded in everyday materials.

In What Sugar and Indigo Remember, Afros in tha City looks at how these artists turn materials and archives into something living, while Roger Mooking’s SoundBites continues the conversation from across the gallery.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

Read more →
Roger Mooking Is Building Beyond the Algorithm
Roger Mooking Is Building Beyond the Algorithm

Roger Mooking is thinking beyond the algorithm.

With SoundBites, the Canadian multidisciplinary artist is responding to streaming culture, shrinking attention spans and the rise of AI by asking a different question: what happens when technology distributes the work, but does not define its value?

In conversation with Afros in tha City, Mooking talks about the state of the music industry, the value of slow creative practice and why the future of music may look a lot more like a campfire than a platform.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

Read more →
Alberta Doesn’t Have a Talent Problem. It Has an Access Problem.
Film
Alberta Doesn’t Have a Talent Problem. It Has an Access Problem.
Film

Talent, ambition and strong ideas are not always enough when the people with the power to finance, develop and distribute them are somewhere else.

At the inaugural TIFF: The Market, Creatives Empowered brings Alberta creators Sandra Bueckert, Tobit Luyeye Lemba and Flordeliza Dayrit into conversations with producers, buyers, distributors and other industry decision-makers from around the world.

In Alberta Doesn’t Have a Talent Problem. It Has an Access Problem., Afros in tha City looks at what meaningful industry access can mean for creators working outside Canada’s largest production centres, and why visibility only matters if the conversation continues after the festival.

The full web exclusive is available now on Afros in tha City.

Read more →
Film
Prismatic Is Thinking Beyond Representation
Prismatic Is Thinking Beyond Representation

Prismatic Arts Festival has spent nearly two decades creating space for Indigenous, Black and racialized artists. For Executive and Artistic Director Raeesa Lalani, the conversation now goes beyond visibility to sustainability, power and what artists need to build lasting careers.

In our September 2026 issue, Afros in tha City looks at the festival’s history, its place in Canada’s arts ecosystem and the artists shaping Prismatic 2026, including Walter Borden, Tara Taylor, Bageshree Vaze, Tania El Khoury and Dee Hernandez.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

Read more →
Timeless: 100 Years of Oscar Peterson Extended at Studio Bell
Timeless: 100 Years of Oscar Peterson Extended at Studio Bell

The National Music Centre’s Timeless: 100 Years of Oscar Peterson has been extended at Studio Bell through January 3, 2027. Originally opened in July 2025 to commemorate the centenary of Peterson’s birth, the exhibition brings together instruments, archival materials, awards, personal artifacts, interviews and multimedia installations to tell the story of one of Canada’s most important musicians.

Read more →
Saul Williams Still Believes Art Has a Job to Do
Saul Williams Still Believes Art Has a Job to Do

With Leap Life and Songs My Mother Taught Me arriving eleven days apart, Saul Williams turns sound and page into one argument about art, memory and responsibility.

There is something almost unreasonable about the amount Saul Williams still expects from art. Nearly three decades into a career spanning poetry, music, theatre, film and literature, Williams has not arrived at the comfortable conclusion that art should simply entertain us. Within the span of eleven days this summer, he released two projects arguing that culture does much more than that.

His album Leap Life, released August 28 on Big Dada, moves through spoken word, hip-hop, jazz, ambient composition, African rhythmic traditions and improvisation.

On September 8, Haymarket Books published Songs My Mother Taught Me: Why the Artist Must Take Sides, a political memoir tracing the people and experiences that shaped Williams’ understanding of art as power.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

Read more →

July 2026 - The Omnibus - Print July 2026 - The Omnibus - Print
Sold Out
July 2026 - The Omnibus - Print
CA$50.00

The Summer Omnibus is our most ambitious issue yet. Bringing together seven months of journalism, photography, and storytelling, this special collector's edition celebrates Black arts, business, fashion, music, and community across Canada and the diaspora.

Featuring exclusive cover stories with Judith Demosthene, Funmi Osatuyi, Adrianne Williams, Nancy Nixon, Ayokunle Akinsebikan, Femi Jr., and more, this 70-page volume captures the people, ideas, and conversations shaping culture today.

Beautifully printed in limited quantities, the Summer Omnibus is designed to be collected, shared, and revisited long after publication.

Limited print copies available.


“It always seems impossible until it’s done.”
— Nelson Mandela



Promotional image of a woman suspended in the air with hand placed above a deluxe jar of DTouch quiet gravity mineral salts


© 2026 Afros in tha City