• EXPLORE AITC
  • SHOP
  • About Us
  • Masthead
  • Work
  • Contact Us
  • Standards
    • Our Philosophy
    • Diversity & Representaion
    • Editorial Standards
    • Editorial & AI Standards
    • Ethics & Corrections
    • Partnerships & Sponsorships
  • Privacy Policy
  • Terms & Conditions
  • Menu

Afros in tha City

Stories Shaping Culture
  • EXPLORE AITC
  • SHOP
  • About Us
  • Masthead
  • Work
  • Contact Us
  • Standards
    • Our Philosophy
    • Diversity & Representaion
    • Editorial Standards
    • Editorial & AI Standards
    • Ethics & Corrections
    • Partnerships & Sponsorships
  • Privacy Policy
  • Terms & Conditions

Walking in Purpose and Royalty A Conversation with Jemere Morgan

August 10, 2026 in Music

Walking in Purpose and Royalty: A Conversation with Jemere Morgan

By Cara Eyre

Some artists inherit a legacy. Others spend their careers trying to define themselves beyond it. Jemere Morgan has managed both.

As the grandson of reggae pioneer Denroy Morgan and the son of “Gramps Morgan” of Morgan Heritage, his place within one of reggae's most celebrated musical families is undeniable. Yet rather than leaning on that history, Morgan is steadily building a catalogue rooted in purpose, spirituality and personal growth.

Ahead of his appearance at Calgary ReggaeFest, Afros in tha City spoke with Morgan about legacy, songwriting, his upcoming album produced by Damian Marley, and why every song he releases must carry intention.

When asked what has been inspiring him lately, Morgan surprised us by naming jazz vocalist Gregory Porter.

"My favourite artist that I listen to right now is the jazz artist Gregory Porter. I love his Be Good album. It's a very calming album that puts you in that state of mind, whether you're cleaning, cooking or winding down after a show. It's one of my favourite albums to have playing around the house."

That appreciation for music that creates atmosphere mirrors Morgan's own philosophy as an artist.

His albums reflect distinct chapters in his life. Transition marked one season of growth, while Self Confidence explored another. His next project continues that journey.

"My grandad was called Dada Simeon in the Twelve Tribes Rastafari community. When the label started, my dad carried on that legacy with the family. Since Transition, every album has reflected a different chapter of my life. I'm growing into understanding my purpose—who I am and why I make music. Now I'm working on my third album with Damian Marley producing the entire project. I'm excited for the world to hear this new side of me."

Purpose becomes a recurring theme throughout the conversation.

Morgan doesn't describe music as entertainment first. He speaks about it as a responsibility.

"Everything we do is intentional with the music because music is a powerful tool. You have to be careful with it, especially when people depend on you for upliftment. Every song should have a purpose and a reason to exist. Songs like Keep Blazing and Proud were created to uplift people. I want listeners to finish a song asking themselves, 'What did I learn?' The world needs uplifting music right now, so we weave that into everything."

That same purpose comes alive when he performs.

For Morgan, the greatest reward isn't applause—it's watching people connect with the message behind the music.

"One of my favourite songs to perform is Keep Blazing. I remember writing it while I was searching for purpose. The words came naturally, almost without thinking, so I knew it came from somewhere special. Every time I perform it, I see people cry. By the end they're singing with me. That's when I know the message has reached them."

Despite carrying one of reggae's most recognizable family names, Morgan approaches his career with remarkable simplicity.

Rather than focusing on industry expectations, he measures success by whether he's living authentically.

"I'm really just doing what I love. I don't focus on the chaos of the industry or the world. I focus on living my purpose, making the best memories, making the best music and sharing love. Rise above the politics and what people expect from you. Do what you love while you're alive—whether that's music, painting or building a business from your passion."

That outlook shapes his newest body of work.

His forthcoming album, produced entirely by Damian Marley, marks the first full-length collaboration between the Marley and Morgan families. It also explores a more vulnerable chapter of Morgan's life.

"This is a more mature side of me. I'm talking about the low phases of life, relationship lessons and emotional growth. Know Better is about learning from love. When you know better in a relationship, you do better the next time."

Asked what he ultimately hopes listeners take away from his music, Morgan's answer is remarkably simple.

"It's about happiness. That's the frequency I try to put into my music. I hope people feel joy whenever they listen."

Looking back on his journey from his early solo work to where he stands today, Morgan credits experience above everything else.

"Experience is the best teacher. You can receive advice from people, but nothing replaces living through something yourself. I wouldn't change anything I've been through because it made me the artist and the man I am today."

As the conversation drew to a close, Morgan reflected on the community that continues to support reggae music around the world.

"You have to ignore the challenges and the people who doubt you. I love the music too much—it's a mission. We're still on that mission, and I'm grateful for everyone who continues supporting reggae music. Platforms like Afros in tha City help keep that culture alive. Thank you."

For Jemere Morgan, legacy isn't something to protect—it's something to keep building.

His music carries the weight of generations before him while remaining deeply personal, hopeful and forward-looking. At a time when so much of the world feels divided, Morgan continues to believe in music's ability to uplift, connect and remind listeners that purpose is something we choose every day.

Tags: Jemere Morgan, Calgary ReggaeFest
Prev / Next
No results found



Stories
  • November 2026
  • October 2026
  • September 2026
  • August 2026
  • July 2026
  • June 2026
  • May 2026
  • April 2026
  • March 2026
  • February 2026
  • January 2026
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • January 2024
  • December 2023
  • November 2023
  • October 2023
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • March 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • November 2020
  • October 2020

AITC - October 2026

Featured
What Does a DJ Have to Do With Justice?
Film, Social
What Does a DJ Have to Do With Justice?
Film, Social
Read more →
Film, Social
From Lagos to Fort McMurray, Lola Taiwo Is Bringing Nigerian Theatre to Alberta
Theatre
From Lagos to Fort McMurray, Lola Taiwo Is Bringing Nigerian Theatre to Alberta
Theatre

FORT MAC!!! HAS YOUR HUSBAND GONE MAD? AGAIN?!

Nigerian theatre is taking over Fort McMurray, and this time, the husbands are in trouble!

Director Lola Taiwo brings Ola Rotimi's Our Husband Has Gone Mad Again to Keyano Theatre, November 5–7, with Swamp Rat Experience.

From Lagos to Fort McMurray, the drama travels, and apparently, so do the husbands.

Read more →
Theatre
There’s a New Curling Team in Town: Cool Sweepings Brings Jamaican-Canadian Comedy to the Ice
Television
There’s a New Curling Team in Town: Cool Sweepings Brings Jamaican-Canadian Comedy to the Ice
Television

Cool Sweepings brings Caribbean flair to Canadian ice in a new Jamaican-Canadian sports comedy premiering October 30 on Bell Fibe TV1.

Created by Winnipeg filmmaker Chris Sharpe after 18 years of development, the four-part series follows a group of friends who enter a $50,000 curling competition despite knowing nothing about the sport.

Blending humour, music and an underdog spirit, the series celebrates Black Canadian storytelling, friendship and perseverance.

Read more →
Television
Echoes in the Green Room: The Resilience, Royalty, and Quiet Anchors of Digable Planets
Music
Echoes in the Green Room: The Resilience, Royalty, and Quiet Anchors of Digable Planets
Music

Beyond the Stage is Afros in tha City's editorial series exploring the world surrounding the performance. Through candid encounters and first-person-informed music journalism, it captures the atmosphere, unexpected exchanges, human details, and cultural significance that conventional reviews can miss. From intimate backstage conversations to the energy of a live audience, the series documents the people behind the music and the moments that shape its legacy.

Read more →
Music
AITC October  2026 - The Currency of Time - Kardinal Offishall
Music
AITC October 2026 - The Currency of Time - Kardinal Offishall
Music

Kardinal Offishall fronts the October issue of Afros in tha City.

In The Currency of Time, Kardi goes beyond the highlight reel to talk about independence, attention, longevity, family, the business of music and what it takes to keep creating after more than three decades in the industry.

“We’re not fighting for their money. We are fighting for attention.”

The October issue is here. 

Read more →
Music
Afros Picks: October 2026
Afros Picks: October 2026

Seven artists, seven distinct sounds. The October 2026 edition of Afros Picks highlights musicians connecting heritage, experimentation and creative independence across generations and borders.

Read more →
THE WOUNDS WE CANNOT SEE
Wellness
THE WOUNDS WE CANNOT SEE
Wellness

What lies beneath the way we react? Calgary counsellor Ekene Balogun explores how past experiences shape our behaviour, relationships and sense of safety. The author of Internal Bleed speaks with Afros in Tha City about compassion, healing and creating space for culturally sensitive support.

Read the feature in our October issue. Sign up for the Afros in Tha City newsletter to hear when the print issue is released.

Read more →
Wellness
The Joy of Being Human: Alana Fairchild, Sobriety and the Power of Being Present
Wellness
The Joy of Being Human: Alana Fairchild, Sobriety and the Power of Being Present
Wellness

An unexpected encounter with spiritual teacher Alana Fairchild opens a conversation about sobriety, music and finding joy through change. Kimberley Dooshima Jev reflects on her longtime connection to Fairchild’s oracle cards and explores the ideas behind her upcoming sober Halloween ritual rave in Calgary.

Read more →
Wellness
Rapsody Questions the Future of Hip-Hop Journalism as God Gotta Afro & Gold Hoops Challenges the Attention Economy
Entertainment, Hip-Hop, Music
Rapsody Questions the Future of Hip-Hop Journalism as God Gotta Afro & Gold Hoops Challenges the Attention Economy
Entertainment, Hip-Hop, Music

Grammy-winning rapper Rapsody is raising questions about the future of hip-hop journalism and the shrinking space for artists whose work demands more than a viral headline.

In a 14-slide Instagram post, the North Carolina artist questioned why meaningful music often struggles to receive serious coverage, even when it connects deeply with listeners.

Her concerns extend beyond artists seeking publicity. Rapsody pointed to declining newsroom resources, fewer music writers, reduced print coverage and fewer opportunities for journalists to spend time exploring albums in depth.

Read more →
Entertainment, Hip-Hop, Music
Inside Asia Clarke’s Braided Future
Inside Asia Clarke’s Braided Future

Step inside Asia Clarke’s braided future, where Black hair, community care and science fiction meet. Inspired by African symbols and the bold styling of The Fifth Element, the multidisciplinary designer imagines a world where hair braiders shape new technologies through BRAID2BRAIN and Ama’s Salon.

Read the feature online now. Sign up for the Afros in Tha City newsletter to be notified when our October print issue is released.

Read more →
Freedom Is the Work: Spicey Landé and Jai Nitai Lotus Find A Way Through Mōnad
Dance, Hip-Hop
Freedom Is the Work: Spicey Landé and Jai Nitai Lotus Find A Way Through Mōnad
Dance, Hip-Hop

The Montreal artists bring Mōnad to Calgary’s Fluid Fest with a work rooted in hip-hop, grief, spirit, community and the freedom to show up whole. Alexandra “Spicey” Landé had one condition for returning to the stage.

“If I’m going on stage, I’m doing whatever the hell I want.”

It sounds like a declaration because it is one. After two decades of building choreography, teaching, mentoring and helping push street dance into spaces that did not always know what to do with it, Landé was not interested in returning to performance to satisfy somebody else’s idea of what a Black woman, a hip-hop artist or a contemporary dancer should look like. She wanted freedom.

Read more →
Dance, Hip-Hop
A Century of Faust: Silent Cinema Meets Live Music in Calgary
Film
A Century of Faust: Silent Cinema Meets Live Music in Calgary
Film

Released in 1926, Faust is among the defining works of German Expressionist cinema. Directed by F. W. Murnau, the film draws on centuries of European folklore and literature to tell the story of a man who makes a bargain with the devil in exchange for knowledge, power and youth.

The film stars Swedish actor Gösta Ekman in the title role alongside Emil Jannings as Mephistopheles. Through elaborate sets, visual effects and dramatic contrasts between light and shadow, Murnau created a world where the boundaries between good and evil, faith and temptation, become increasingly difficult to separate.

Read more →
Film
Movie Stars Linda Ejiofor-Suleiman & Ibrahim Suleiman are headed to Calgary!
Podcast
Movie Stars Linda Ejiofor-Suleiman & Ibrahim Suleiman are headed to Calgary!
Podcast

Calgary-based producers Ejiro Onobrakpor and Nenritji Suwa are bringing the acclaimed Due Parenting Podcast Live to the stage.

Read more →
Podcast
Beyoncé Is Coming to the Symphony. Do You Understand What Is Happening Here?
Music
Beyoncé Is Coming to the Symphony. Do You Understand What Is Happening Here?
Music

Composer and conductor Steve Hackman brings Beethoven X Beyoncé to Calgary, weaving Beyoncé’s music through Beethoven’s Seventh Symphony.

Kimberley Dooshima Jev talks with Hackman about “Halo,” Beyoncé’s musical intelligence, classical music’s boundaries and what happens when two musical worlds are allowed to meet.

Read more →
Music
Cover (1).png
AITC September 2026 - What Will It Take For Us To Feed One Another - Aquakultre

COVER STORY PREVIEW

Through 1783 and Matriarchs, Aquakultre is transforming family memory into a living archive while asking Black Nova Scotian communities to remember how deeply they belong to one another.

By Kimberley Dooshima Jev

Lance Sampson was standing in front of a video kiosk at the Africville Museum when a familiar name appeared on the screen. The woman speaking was his great-great-grandmother. Sampson had stumbled onto what he understands to be the only surviving recording of her voice.

His first instinct was reverence. His second was hip-hop.

“I immediately went into hip-hop mode,” he remembers. “Let me sample this right quick.”

That impulse sits at the centre of Sampson’s work as Aquakultre: find what remains, listen closely, then give it somewhere new to live.

Read the full cover story

Aquakultre covers the September 2026 issue of Afros in tha City. The complete story explores 1783, Matriarchs, the family histories behind the work and the moment Lance Sampson found his voice.

The full feature and photo story will be released with the September digital issue and limited print edition.

Join the Afros in tha City newsletter to be the first to know when both editions become available.

Read more →

July 2026 - The Omnibus - Print July 2026 - The Omnibus - Print
Sold Out
July 2026 - The Omnibus - Print
CA$50.00

The Summer Omnibus is our most ambitious issue yet. Bringing together seven months of journalism, photography, and storytelling, this special collector's edition celebrates Black arts, business, fashion, music, and community across Canada and the diaspora.

Featuring exclusive cover stories with Judith Demosthene, Funmi Osatuyi, Adrianne Williams, Nancy Nixon, Ayokunle Akinsebikan, Femi Jr., and more, this 70-page volume captures the people, ideas, and conversations shaping culture today.

Beautifully printed in limited quantities, the Summer Omnibus is designed to be collected, shared, and revisited long after publication.

Limited print copies available.


“It always seems impossible until it’s done.”
— Nelson Mandela



Promotional image of a woman suspended in the air with hand placed above a deluxe jar of DTouch quiet gravity mineral salts


© 2026 Afros in tha City