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ALBUM REVIEW - Duncan Daniels - The Time Traveler

November 17, 2023 in Music, Identity

On "The Time Traveler," Duncan Daniels pays tribute to his origins, to the person he has become and to Port Harcourt Nigeria, the city that is credited as the origin of his musical talents.

On PurpleVille.
Duncan Daniels something I like to call the introductory track. While it pays homage to Port Harcourt, that’s not the only thing the track does. This is the one where you’re introduced to who the Artiste is. The storytelling gives credence to his ‘PH’ origins, from using popularized Port Harcourt slang like ‘Abobi’; the artiste takes us to the stories of his early days as an artiste in Port Harcourt. Duncan’s vocals are laid side by side, those of the choir I mentioned initially. The choir referred to here is Ara Muzicc Choir. And at no point in this song did they disappoint with the ‘ooohs’ in the lows or their harmony in the highs. Production credits go to Kulkeh Beats, a frequent collaborator of Duncan’s with production credits on at least 60% of  Duncan's most recent "S.O.L.O" Album. The song has strong potential to be Port Harcourt’s theme music, depending on the reception. 

On “Carolyn”
Duncan sends a message to a past love interest. Apparently, Duncan had been interested in Carolyn who didn’t pay him attention at the time. Carolyn does show up when she hears about his successes, however, Duncan is no longer interested. The song has a hook that doesn’t sit well with me as regards delivery however, Timi Dre assists in such a way, that the hook works after a few spins. Timi Dre proves himself beyond any pre-existing doubts that his vocal prowess should not be toyed with. His vocal texture is maybe only similar to Oxlade, or maybe I’m hearing other things. But the melodies are popping off and unpredictably too! No choir but Timi Dre is one person singing like 5 people. He handles the task. I feel Carolyn’s pain, she dropped the ball, big time!

On “Blood Pressure”

We quickly understand why Carolyn is yesterday’s news. There’s a rising blood pressure someone’s eyes is giving Duncan. Much like all of the songs on the project, the song doesn’t follow the fast paced tempo that the recent songs in the Afrobeats genre have made us accustomed to. Rather, this track takes a different direction that gives room for Duncan to flex his versatility. The production for me is reminiscent of production by Jesse Jagz. Except, the production credits for this groovy sounding slow jam goes to Peter Abdallah. Assisting on the track are London-based Chai T and another of London's finest; Mukhy. The intentionality of this song goes further as it features live saxophone by Norwegian-based saxophonist and wind instrumentalist Lady Albatross and UK bass player Jay Brown.

Whoever, Duncan’s love interest is, they shouldn’t end up like Carolyn. Make this song for no waste! Too lit!! - Peter Jev - AITC Africa 

To end the project, Duncan Daniel enlists New York City-based Nigerian rapper, Iceberg Slim who is considered a Nigerian rap veteran for “Show Me Love”. The track carries a simple message that tells people to give flowers to music creators when they’re still here. This one reaches deep into the soul, as it talks about life and all of the struggles that life comes with. It’s emotional enough to close the project. It carries with it a weighty truth that music veterans are not as celebrated until they’re not with us anymore. And this true for a number of artistes, not just Duncan Daniels or Iceberg Slim; a number of veterans have been seemingly forgotten. 

The Time Traveller either closes off for some or if you’re me, it’s on repeat! The project is solid and doesn’t struggle to conform to new sounds to fit into a specific box. Rather, experience plays a solid part; with an undoubted musicality to each track. While the EP positions itself as a travel through time, which the music rightly does as Duncan reminisces on his origins in the early days in Port Harcourt through to the end where he talks about getting his flowers for his 2 decade long career. 

The project should also get some credit for its exploration of the theme of love, from Duncan’s love for PH, to falling out of love with Carolyn, to the love that gives him a rising temperature and Blood Pressure. Duncan Daniels allows us to see him, in his element; he gives us a peek into his love life as well while reflecting on the time spent making music.

The production is stellar from Kulkeh Beats on Tracks 1,2,3,& 5. London based-Ghanaian producer Peter Abdallah takes on Track 4 and delivers his polling unit.

On the mixing and mastering end of things, Alex 'Crez' Creswell, adds this project to another successful outing with Duncan Daniels having previously worked on songs such as "Back Outside" and "Yard Party." with both songs getting considered for Grammy nominations this year.

"The Time Traveler" EP is available on all digital streaming platforms for your listening pleasure Friday, November 17, 2023. Stream until the tracks start to skip! Visit www.duncandanielsmusic.com

Tags: Duncan Daniels, Albuma Review
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AITC - August 2026

Featured
Afros in tha City - August 2026 - Adrian Younge
Identity, Music
Afros in tha City - August 2026 - Adrian Younge
Identity, Music

& Afro-Disco Makossa: The Dance Floor Record He’s Always Wanted to Spin & More.

Music never arrives without a history. It carries places, technologies, memories and the fingerprints of those who came before.

For our August cover story, Afros in tha City sits down with Adrian Younge to explore the sounds, relationships and creative philosophy behind Afro-Disco Makossa—a record born from his long-held desire to create music for the dance floor without surrendering the depth, musicianship or historical consciousness that defines his work.

Drawing from makossa, soul, funk and disco, the album does not treat these traditions as relics to be reproduced. Younge approaches them as living languages: sounds capable of holding their histories while continuing to move, transform and speak to the present. The result is music designed for movement, connection and deep listening—a record that looks backward only to understand where it might travel next.

But this conversation extends far beyond one album.

Younge reflects on the trust that can only be built through consistency, his enduring creative partnership with Ali Shaheed Muhammad, and the ecosystem they have created through Jazz Is Dead. Rather than positioning legendary musicians as figures frozen in the past, the platform invites living artists to continue creating, experimenting and adding new chapters to their own stories.

He also speaks about attending law school because he wanted to become what he calls “an educated artist”—someone equipped to understand contracts, intellectual property, ownership and the structures surrounding the work. His independence is not simply an aesthetic or an industry label. It is knowledge, preparation, discipline and the infrastructure required to protect a creative life.

That philosophy carries particular weight for an independent publication like ours. Building outside traditional systems requires more than vision. It requires learning how the machinery works, deciding what must remain yours and creating an ecosystem capable of supporting the work long after the excitement of an idea has passed.

Throughout the conversation, Younge retains the curiosity that first led him toward music. “We’re just bigger kids,” he says—a reminder that serious artistic practice does not require abandoning wonder. Growth can mean becoming more skilled, more informed and more intentional while remaining open enough to keep discovering.

This is a cover story about a dance-floor record, but it is also about something larger: how artists honour history without becoming trapped inside it, how independence is built rather than declared, and how curiosity keeps the conversation moving forward.

Adrian Younge covers the August issue of Afros in tha City.

Read “Afro-Disco Makossa: The Dance Floor Record He’s Always Wanted to Spin” at afrosinthacity.com and in our print publication.

Stories Shaping Culture.

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Identity, Music
Valerie June on the Practice of Joy
Music
Valerie June on the Practice of Joy
Music

A fifteen-minute festival interview with Valerie June begins with crossed schedules and a quiet moment of evaluation. Then the conversation finds its rhythm, becoming something much larger than an exchange about her latest album, Owls, Omens and Oracles.

In “The Practice of Joy,” Kimberley Dooshima Jev speaks with the Grammy-nominated artist about spirituality, independence and building a creative life that remains aligned with your values. June shares how meditation and affirmations become part of ordinary routines, why “small is powerful,” and how she measures the impact of her music through human connection rather than charts, algorithms or scale.

Their conversation also turns toward the ways Black women’s experiences are routinely flattened—and the freedom of creating new platforms instead of waiting for permission to belong. June’s declaration, “I’m keeping my joy because they would want me to,” transforms joy from a fleeting emotion into remembrance, responsibility and an inheritance carried forward.

What begins as an interview about music ultimately clarifies the values guiding Afros in tha City: community over scale, creation over permission and resonance over metrics. It is a reminder that joy is not escapism. It is a deliberate practice—and sometimes, an act of survival.

Read “The Practice of Joy” in full at Afros in tha City or in our print publication.

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Lowkita - In Her Own Time
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Lowkita - In Her Own Time
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After nearly a decade between full-length projects, Lowkita returns with Why(Te) Tee—a deeply personal record shaped by motherhood, grief, burnout and the quiet confidence of an artist moving in her own time.

In “In Her Own Time,” Kimberley Dooshima Jev traces the Calgary-born, Vancouver-based artist’s years of rebuilding. Lowkita never stopped creating: she performed, produced, DJed, designed clothing and found new ways to sustain herself while raising her daughter and navigating profound personal loss.

The story also explores the meaning behind Why(Te) Tee. What began with the image of a white T-shirt as a symbol of starting over evolved into a larger meditation on purpose: the “Why” behind continuing, “TE” as a reminder that timing is everything, and the belief that every pause and setback has helped build the project’s foundation.

More than a comeback, Why(Te) Tee is an invitation to meet the person behind Lowkita’s bright, energetic presence. It captures an all-around artist who has learned that consistency does not require constant visibility—and that showing up, on your own terms, can be its own form of success.

Read “In Her Own Time” in full at Afros in tha City or in our print publication.

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Music
"There Has to Be a Festival"
"There Has to Be a Festival"

For Calgary ReggaeFest founder and producer Leo Cripps, success has never been measured by crowd size, celebrity headliners or rapid expansion. It rests on one enduring belief: “There has to be a festival.”

This feature traces more than two decades of quiet resilience—from financial setbacks and pandemic uncertainty to the 2024 cancellation of Sunny Soul Jam. Through it all, Calgary ReggaeFest has built its reputation by growing responsibly, remaining debt-free and honouring its commitments to every artist, vendor and partner.

Cripps also reflects on the festival’s new home at The Rise on St. Patrick’s Island, the generations of families who return each summer and a lineup that carries reggae’s history forward through legends and emerging artists alike.

At its heart, Calgary ReggaeFest is a story of stewardship: choosing sustainability over spectacle and ensuring reggae music and Caribbean culture continue to have a home in Calgary. After more than twenty years, its greatest achievement may be beautifully simple—it kept its promise.

Read the full story at Afros in tha City or in our print publication.

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The Blueprint of Reggae  - Leroy Sibbles Looks Back on Six Decades of Rhythm
Identity, Music
The Blueprint of Reggae - Leroy Sibbles Looks Back on Six Decades of Rhythm
Identity, Music

Few musicians are as inseparable from reggae’s foundations as Leroy Sibbles. As a pioneering bassist and arranger at Studio One and the legendary lead vocalist of The Heptones, he helped create the rhythms, basslines and vocal sound that continue to reverberate through contemporary music.

In “The Blueprint of Reggae,” Cara Eyre speaks with Sibbles about six decades of innovation, from late-night rehearsals in Trench Town and groundbreaking recording sessions with Clement “Coxsone” Dodd to hearing new generations sample and reinterpret the music he helped build.

The conversation also traces the personal journey that brought Sibbles to Canada in the 1970s, where he helped cultivate Toronto’s reggae scene and established a lasting connection to his adopted second home. Looking back, he measures his legacy through the musicians he inspired, the careers he strengthened and the joy his work continues to create.

At the heart of it all is a message of unity. Sibbles’ music has crossed oceans, bridged generations and brought millions together—and after six decades, his invitation remains beautifully simple: “We all sing together.”

Read “The Blueprint of Reggae” in full at Afros in tha City or in our print publication.

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Identity, Music
Walking in Purpose and Royalty A Conversation with Jemere Morgan
Music
Walking in Purpose and Royalty A Conversation with Jemere Morgan
Music

Born into one of reggae’s most celebrated musical families, Jemere Morgan carries a powerful inheritance. But as the grandson of pioneer Denroy Morgan and the son of Gramps Morgan of Morgan Heritage, he is not simply preserving a legacy—he is building one of his own.

In “Walking in Purpose and Royalty,” Cara Eyre speaks with Morgan about spirituality, personal growth and the responsibility he feels each time he creates music. From the uplifting message of “Keep Blazing” to the relationship lessons behind “Know Better,” every song must carry intention and leave listeners with something meaningful.

Morgan also reflects on collaborating with Damian Marley on his third studio album, a more mature and vulnerable project exploring love, emotional growth and life’s difficult seasons. Throughout the conversation, he returns to a guiding belief: music should offer joy, connection and upliftment in a divided world.

For Morgan, legacy is not something fixed or protected. It is a living mission—shaped by experience, carried forward with purpose and strengthened each time the music reaches someone who needs it.

Read “Walking in Purpose and Royalty” in full at Afros in tha City or in our print publication.

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Music
Afros Picks - August 2026
Music
Afros Picks - August 2026
Music

From emotionally revealing R&B and modern jungle to fújì, Afro-Soul, reggae and global pop, this edition of Afros Picks brings together six releases shaping contemporary Black music across borders.

Masego turns inward on Fix Your Face, pairing his signature musicianship with vulnerability and self-reflection. Asake expands his global sound without losing his Nigerian foundations on M$NEY, while Nia Archives makes vulnerable songwriting feel at home alongside exhilarating breakbeats on Emotional Junglist.

Elsewhere, Nigerian Canadian newcomer Osé emerges as an Afro-Soul voice to watch with Feels Like Home. Seun Kuti and Egypt 80 join Kabaka Pyramid on “Problems,” reconnecting Afrobeat and reggae through a shared language of resilience and resistance. Tyla, meanwhile, embraces global pop on A*POP while remaining grounded in the South African identity that first introduced her to the world.

Together, these selections capture artists looking inward, reaching outward and carrying their musical foundations into new territory.

Discover all six Afros Picks at Afros in tha City or in our print publication.

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Music
Rooted & Radiant - Where Trust Begins
Beauty, Wellness
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Beauty, Wellness

Trust often begins long before professional care—in conversations with someone who has consistently made us feel safe.

In “Rooted & Radiant,” Kimberley Dooshima Jev explores the partnership between Nancy Nixon, founder of Neena’s Pink Room, and Tina Ashiofu, founder of Ilera Psychological Services. Together, they are creating the kinds of culturally grounded spaces they once needed themselves.

The story examines how salons can become trusted places for conversations about grief, relationships, migration and mental health—and how beauty professionals can serve as bridges to care without being expected to replace therapists. Drawing on Nancy’s relationships with her clients and Tina’s experience as a Nigerian Canadian psychologist, the feature considers representation, cultural understanding and why beginning therapy can feel more difficult than attending it.

At its heart, Rooted & Radiant is about expanding what community care can look like. It reminds us that healing does not always begin in a clinical space. Sometimes it begins exactly where trust already lives—with someone willing to listen, recognize when more support is needed and help another person take the first step.

Read “Rooted & Radiant” in full at Afros in tha City or in our print publication.

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Beauty, Wellness
Ahmed Moneka - Rooted Like a Tree
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Ahmed Moneka - Rooted Like a Tree
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In “Rooted Like a Tree,” Moneka shares how the Arabic Maqam traditions of southern Iraq coexist with jazz, funk, reggae, blues, soul and Afro-diasporic rhythms in his evolving musical language. For the Black Iraqi artist, music is more than performance. It is a sacred ritual connecting past, present and future—and a responsibility to the generations on either side of us.

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That ’70s Shootout: How a Calgary Lunch Sparked a Retro Creative Playground
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Curiosity Refresh Workshops creates immersive photography experiences designed to inspire creativity, build community and elevate photographers at every skill level. Through thoughtfully styled shootouts, hands-on workshops and themed events, participants learn, collaborate and create portfolio-worthy images alongside talented models, stylists and industry professionals.

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Rooted in Nigeria, Rising in Calgary: Cris Kester Is Still Becoming
Music, Lifestyle
Rooted in Nigeria, Rising in Calgary: Cris Kester Is Still Becoming
Music, Lifestyle

Rooted in Nigeria and rebuilding in Calgary, Cris Kester makes music shaped by rhythm, faith, resilience and the determination to keep moving when life refuses to make things easy.

In “Rooted in Nigeria, Rising in Calgary: Cris Kester Is Still Becoming,” Kimberley Dooshima Jev traces how Kester’s upbringing in Cross River State and northern Nigeria continues to live in his storytelling. Through songs including “Can I Speak?,” “Las Las” and “Colourful,” he creates space for pain without surrendering hope, building an emotional bridge between listeners across cultures and borders.

The profile explores the immigrant experience of beginning again, the challenge of introducing yourself to a new city and the faith required to keep creating when life does not yet resemble what you imagined. Standing between the foundation he built in Nigeria and the life he is creating in Canada, Kester is not choosing between two worlds. He is building from both—and he believes his best is still ahead.

Read the full story at Afros in tha City or in our print publication.

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Music, Lifestyle
DOTUN POPOOLA  The Man Redefining Africa's Creative Future  One Piece of Scrap Metal at a Time
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DOTUN POPOOLA The Man Redefining Africa's Creative Future One Piece of Scrap Metal at a Time
Art

Dotun Popoola was four years old when he first started experimenting with colour and texture, and nine when his father, recognising the seriousness underneath what looked like a child's restlessness, enrolled him in a local art studio for an apprenticeship.

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Art
NO NATION (AYAKATA) Ginton & ODUMODUBLVCK
Music
NO NATION (AYAKATA) Ginton & ODUMODUBLVCK
Music

By Kimberley Dooshima Jev

Decades after Fela Kuti released “Beasts of No Nation,” its confrontation with power, corruption and political authority remains unfinished.

In “No Nation (Ayakata): Ginton and ODUMODUBLVCK Reach Across Generations to Rework Fela Kuti,” Afros in tha City explores how Amsterdam-based producer and guitarist Ginton and Nigerian rapper ODUMODUBLVCK approach an official contemporary reworking created with the involvement of the Fela Kuti Estate.

The story traces the political weight of Fela’s original recording, Ginton’s history of connecting electronic production with global musical traditions, and ODUMODUBLVCK’s continued commitment to his sound, community and principles. Together, they bring different eras of African music into conversation without attempting to replace the work that came before them.

Fela’s era. Ginton’s interpretation. ODUMODUBLVCK’s generation.

Read the full story at Afros in tha City or in our print publication.

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Music
SOUND BEFORE SIGHT - How Killer Mike &  The Mighty Midnight Revival brought Atl to tha Folk!
Music
SOUND BEFORE SIGHT - How Killer Mike & The Mighty Midnight Revival brought Atl to tha Folk!
Music

Long before Killer Mike stepped onto the Calgary Folk Music Festival stage, the voices of The Mighty Midnight Revival travelled across Prince’s Island Park.

In “Sound Before Sight,” Kimberley Dooshima Jev reflects on encountering an artist whose music has accompanied her life—from OutKast and ATL to Run the Jewels and Michael Render’s evolution as an artist, entrepreneur, community leader and public voice.

Blending personal history with reflections from Calgary artist TeaFannie, the story explores how hip hop, gospel, soul and testimony transformed one festival performance into something larger: a meeting place for memory, legacy and community. It is also a reflection on the stories, songs and cultural touchstones that travel across borders and generations until they meet us where we are.

Read “Sound Before Sight” in full at Afros in tha City or in our print publication.

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Music
ISLAND IN THE SUN
Photography
ISLAND IN THE SUN
Photography

Through Emma Ryan’s lens, the 2026 Calgary Folk Music Festival comes alive in colour, movement & connection. From intimate stage moments to the energy of the crowd, her photographs capture the artists, audiences and shared joy that filled Prince’s Island Park. Explore this visual celebration of live music, community and a summer festival weekend that brought the city together. Photos by Emma Ryan.

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Photography

July 2026 - The Omnibus - Print July 2026 - The Omnibus - Print
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July 2026 - The Omnibus - Print
CA$50.00

The Summer Omnibus is our most ambitious issue yet. Bringing together seven months of journalism, photography, and storytelling, this special collector's edition celebrates Black arts, business, fashion, music, and community across Canada and the diaspora.

Featuring exclusive cover stories with Judith Demosthene, Funmi Osatuyi, Adrianne Williams, Nancy Nixon, Ayokunle Akinsebikan, Femi Jr., and more, this 70-page volume captures the people, ideas, and conversations shaping culture today.

Beautifully printed in limited quantities, the Summer Omnibus is designed to be collected, shared, and revisited long after publication.

Limited print copies available.


“It always seems impossible until it’s done.”
— Nelson Mandela



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